I am watching a Spanish Netflix series called Merli: Sapere Aude, and it is excellent. It is a dramedy, and the plot revolves around the protagonist, a young man named Pol Rubio, played by a fine young Spanish actor named Carlos Cuevas. Pol is a young man in his first year of studies in philosophy at a university in Barcelona. He has a bisexual orientation, and though he favours men, he does have dalliances with women occasionally. Pol is an anti-hero; while he generally strives to do good, he betrays a friend and his father when it serves his interests. He learns in the first episode of season two that he is HIV+. Pol is devastated by the news, despite the doctor’s assurance that the virus can be managed with treatment. He starts the regimen of taking the medication and tries to carry on. In a subsequent episode, Pol converses with a former co-worker who likely exposed him to the virus. His friend lost his job when the employer learned he was HIV+. The friend reminds Pol that people will feel sorry for you when you get cancer, but when you get HIV, you are viewed as a “dirty faggot.” Pol also converses with his employer, a mature gay man living with HIV. The employer lived through the AIDS crisis of the 1980s and 1990s and saw many gay men succumb to the disease. He recounted an incident where a friend was beaten to death for being queer. I bristled when I heard “queer” used to refer to a gay man, but I realized in the context of the anecdote that it was the attackers who called him a queer as they beat him to death. Queer is a slur, the last thing many gay men heard as they were beaten to death by gangs of thugs.