Tag Archives: Laurence Olivier

Gentlemen, you may include me out. — Samuel Goldwyn

I declined an audition recently. The audition call was for an actor to play a senior gay man, a closeted gay man married to a lesbian who had children and grandchildren. They enthusiastically come out late in life, embracing their “queerness” in all its grotesque flamboyance. The role is a lead for a series of ten episodes. I am okay with playing a gay man on screen, provided I can play him straight. By that, I mean playing a man who is gay. I am uncomfortable playing a gay man as a caricature, even in jest. That resembles a black actor playing a minstrel show role in jest. Mainly as I am on record for criticism of queer culture, I think that queer culture is demeaning and detrimental to the well-being and happiness of gay men and boys. I said in the note explaining my decision to drop the audition that the role was outside my character type. My character type is the mature father figure. As an older gay man, I do not want to risk being typecast as an older, flamboyant homosexual. 

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Olivier said that drama is an affair of the heart, or it’s nothing, and he was right. — Pam Gems

Joe Locke and Kit Connor as Charlie and Nick in Heartstopper.

I watched season two of the charming Netflix series Heartstopper. I liked it despite it being aimed at a much younger audience. What drew me to the series was the gay storyline; the romance between the two protagonists, the high school boys Nick and Charlie. The series is a drama, although it pulls its punches. The boys never go past kissing and cuddling in their relationship. Also, Nick is bisexual, and Charlie is gay. It is cute and appealing to its teenage audience. I like that a teenage gay romance is portrayed as a positive thing. Coincidentally, the actors who play Nick and Charlie are, like the characters they play, gay and bisexual. Kit Connor, who plays Nick, declared his bisexuality. Joe Locke, who plays Charlie, is openly gay. That the young actors are gay and bisexual is interesting. It is nice that they are free to be themselves.

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I get stage fright and gremlins in my head saying: ‘You’re going to forget your lines’. — Alan Rickman

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I remember listening to a recording of a very interesting interview Richard Attenborough gave on a radio program back in the 1970s. He discussed his role, that of John Christie, in the motion picture “10 Rillington Place.” John Christie was an English serial killer who was hanged for his crimes in 1953. In particular, Attenborough discussed how he went about inhabiting the character of Christie. What struck me in the interview was his opening comment (offered in a lighthearted tone),  something to the effect that “actors are dramatic people.” I chuckled when I heard his comment. “How true this is,” I thought. He continued the interview explaining that he needed a very deep level of concentration to inhabit the character of John Christie. In addition, in a subsequent interview Attenborough credited the director, Richard Fleischer, who instilled in him the confidence he needed to successfully inhabit the character of John Christie. I understand the need for a deep level of concentration and confidence to successfully inhabit a character. This comes as no surprise, but listening to Attenborough discuss acting technique made me think of stage fright, the actor’s nightmare. Continue reading