Gay men have long been seen as a novelty, a standard deviation in the demographic where most of humanity is heterosexual. Attitudes toward male homosexuality varied throughout history. In Antiquity, for the Etruscans, Greeks, and Romans, it was a part of life. They understood that people were sexual, so same-sex liaisons were common and depicted in their artwork. With the development of the Abrahamic faiths, Judaism, Christianity, and Islam, male homosexuality was viewed in a critical light. Eventually, it was condemned in the Abrahamic faiths and in the wider society. Gay men lived and died through centuries where, at best, they were tolerated, sometimes, and at worst, persecuted and imprisoned. By the eighteenth century in England, the argument was advanced by the British philosopher, Jeremy Bentham, for the decriminalisation of homosexual behaviour between consenting adults in private, in his essay Offences Against Oneself. He wrote the essay around 1785, but it was published posthumously in 1931. Bentham thought homosexuality, as Jeffrey Weeks notes, “an ‘imaginary offence’ dependent on changing concepts of taste and morality.” (Wolfenden and beyond: the remaking of homosexual history) Bentham thought through the issue and reasoned:

However, in England and Wales, the passage of the Criminal Law Amendment Act 1885 (48 & 49 Vict. c.69) included Section 11, in particular the clause known as the Labouchere Amendment, which applied to male homosexuality. In short, the clause provided for a term of imprisonment “not exceeding two years”, with or without hard labour, for any man found guilty of “gross indecency” with another male, whether “in public or in private”.  The Labouchere Amendment was enforced sparingly and selectively. However, the consequences of arrest and conviction could be devastating. John Gielgud very nearly saw his career as an actor come to an abrupt end in 1953 when a scandal arose over his arrest for ‘persistently importuning male persons for immoral purposes’ (he was caught trying to pick up a man in a public washroom). He was fined £10, and news of the arrest reached the press, causing him a most personal humiliation and the refusal of a visa to travel to the United States with his company to perform Shakespeare’s The Tempest. Gielgud was fortunate that the theatre-going public forgave his momentary indiscretion, and he continued his acting career both in the United Kingdom and the United States. Also, in 1953, the Home Secretary, David Maxwell Fyffe, referred to male homosexuality as a “plague over England,” and vowed to wipe it out. The Labouchere Amendment was repealed in English law in 1967—interestingly, a backbench Conservative Member of Parliament, Margaret Thatcher, broke ranks with the party to vote for its repeal. Since the decriminalisation of male homosexuality in England and Wales in 1967, many countries followed. It was decriminalised in Canada in 1969.

 

Now, in the twenty-first century, male homosexuality is seen by most as inconsequential. It is a natural expression of human sexuality. True, gay men remain a minority, but are free to take their place in society and live openly. Gay men marry and have families. They are represented in all occupations, and take part in a plurality of pastimes like anyone else. Unfortunately, for some, gay men remain a novelty. The series, Heated Rivalry, released by Crave, a Canadian streaming service, has become a worldwide hit with viewers. The series is based on novels by Rachel Reid, a Canadian author. I do not begrudge her success or the television series’s success, but what concerns me is that the story is pure fantasy. Yes, it is good writing and acting, absolutely, only it made me think of a quotation by Maria Von Trapp. When she saw the first production of The Sound of Music, she said, “That’s a nice story, but it’s not my story.” The story of two professional hockey players, one bisexual and the other gay, came from the imagination of a heterosexual woman. I am not saying there is anything wrong with that. Hardly, she is free to write stories about any characters she chooses. Though they say, “Art imitates life,” sometimes, particularly in romance novels, the lives of the characters are idealised beyond belief. The reality is that there is nothing novel about gay men living in the twenty-first century in most Western jurisdictions. There is no need to fashion romantic fantasies about how you imagine gay men live, how they feel, and what they think. The truth is, we are like everybody else, despite being a minority. There are plenty of openly gay professional athletes, including Jason Collins (an NBA player), Robbie Rogers (an NFL player), Tom Daley (a diver for the British Olympic team), Gus Kenworthy (a skier for the U.S. Olympic team), and Carl Nassib (an NFL player). I do not know much about the personal lives of these men, except for Tom Daley, whose private life is on the public record. Daley is married to his husband, Dustin Lance Black, and has two sons. They lead a conventional life like any other married couple. So, why are people so agog over a fantasy television series that treats the ordinary lives of gay men as something new and unusual?